Experimental Archive Space
Lee Tusman
self-employed
Services: New Media Artist, Art Direction, Design, Technology, Research
Space 1026

The Experimental Archive Space is an experimental archival documentation project for a DIY arts organization. Space 1026 is a 23-year-old DIY artist collective and studio, event, and printmaking space in Philadelphia, Pennsylvania. This web-based experimental archive collects documentation images from the past two decades of events at Space 1026; an oral history of the collective; and generative zine-making software to produce screen and printable zines with selected photographs and interviews. The image database is assembled from liberated images from public and proprietary social media platforms and sites, consisting of well over 10,000 images. The oral history interviews were conducted over Zoom and transcribed via machine learning. The web app generates new zines with these collected transcribed oral histories and photographs.

I am an organizer with Babycastles, a New York collective fostering and amplifying diverse voices in videogame culture, a member of Flux Factory, and have organized with several other artist-run spaces and collectives. These kinds of DIY organizations are volunteer-led, often with limited resources. Documentation of the activities of these powerhouse art communities is generally an afterthought as resources are limited and efforts are spent organizing and getting the word out about events, or informally documenting and posting to social media platforms. As these precarious organizations get rocked by the pandemic as well as broader economic forces, I thought it was a useful moment to take stock of one long-running and celebrated DIY arts organization.

Space 1026 was forced to move to a new location right before the pandemic due to the landlord selling the building. The process of building a healthy community and responding to multiple challenges isn't simple, and there are few resources out there for how artist collectives and communities can organize and operate. I was excited to work with a community I already know and have worked with before (as a curator, artist, zine-maker, and performer) and to create something useful for the collective as well as the public. In conversation it was revealed that zine requests (from arts organizations, museums, and libraries around the world) are often sent to Space 1026—and I imagined I could help respond to that need. As one of the long-running activities of the collective is to produce zines, it was an obvious choice for me to have that be an important "output" of this archiving effort. These zines can then be both an artistic work as well as a publication option for sharing knowledge, history, and culture.


This project was developed for and with Space 1026 ("Do it Yourself and Do it Together!"). Lee Tusman developed the idea, directed the project, and did some of the development. Caleb Stone designed and developed the website. The project was incubated and supported by NEW INC in the Cultural Futures track, with fiscal support by the Knight Foundation in affiliation with MCN.

Thanks to the Space 1026 members: Al San Valentin, Andrew Jeffrey Wright, Angela Rio, Ben Woodward, Eileen Wolf Echikson, Jacob Marcinek, Jacqueline Quinn, James Bonney, June Armstrong, Lance Simmons, Maximillian Lawrence, Miriam Singer, Nate Harris, O. Roman Hasiuk, Rachel Gordon, Will Laren, Michael Gerkovich, David Rysk, and Troy Taylor.


  • Website
  • App
  • R&D
  • Database
  • Visual art
  • Performing arts
  • Open-Source
  • Prototype
  • Archive
  • Experiment
  • Collections Management System
  • Library
  • Ephemera
  • User-generated content
  • 3-6 months
  • $0-$10k
    N/A

Briefly describe your project’s timeline and development.

From initial ideas in my head, I sent an email and received responses of encouragement and interest. One of the hardest parts of this project at first was organizing. As Space 1026 is a non-hierarchical and non-institutional DIY artist collective, no one feels comfortable speaking for the group as a whole, and especially under Covid conditions it was difficult at first to organize a meeting with all members of the group. I wanted to organize some initial conversations first to get more ideas before presenting a proposal to the group, but ultimately I found it easier to send a few emails with my ideas and then set up a time to Zoom and see who would show up. Luckily a group "attended" virtually. As I researched other DIY groups and thought of the ones I'm a part of, I realized that equally important to saving a photo archive is actually the realities, logistics, and stories of running a long-running DIY artist collective and community. There are few examples of models where members of these groups talk about the challenges and successes of running these spaces, and I realized this could be both a part of the archive as well as a real service to other communities. The idea of creating a zine with parts of the collected photos appealed to me early on. With these recorded oral history interviews, it made sense that they become part of the zine. Finally, as I am a new media artist and work with generative art creation, I thought it could be an interesting pilot project to build a generative zine-making software for the collective. From here, the next step was to scrape photos, design the website archive and zine-builder, and then to engineer and develop it.

Design, implementation, and building the initial version of the website took roughly a month. The site is currently (as of June 2021) in an Alpha state. Bug fixes, evaluation, and a final version will be launched in the next phase.

What do you think went really well?

I was lucky to get lots of positive encouragement from the beginning, both from the collective-members as well as cultural workers that I consulted with through NEW INC. I was extremely lucky to be able to work with Caleb Stone, an incredible designer. Creating prototypes and getting feedback from Space 1026 members and others was really helpful and encouraging. Being able to stand on the shoulders of giants and reuse open source software code also helped immensely. I am grateful to the creator of Bindery.js and the programmer-artist-hackers that made various "scraping" tools used to liberate photographs from various closed platforms.

What were the outcomes?

As of the time of reporting here, the project has just completed a prototype build and hasn't yet launched publicly but we expect to do so in the months ahead and to assess viewership and engagement at that time.

What was most helpful in pulling this project off?

I am in the unique circumstance of being an artist, a new media artist, a person integrated within DIY artist community, and someone that has presented work (as curator, noise artist, friend of the space). I am also a programmer and a professor of New Media and Computer Science. This unique combination of experience allowed me to have both an intuitive understanding of the needs of Space 1026 as well as a fluidity and iterative design and coding process that could be hard to replicate if working in a traditional client–web developer model, which usually would have a more limited ability to reshape the project as it developed. That limitation would likely allow much less room for experimentation and would lead to more conservative choices.

One note on the tech stack selected: It is common for developers to use the latest celebrated tech stack for building websites and tech applications. Inevitably these sites break after a couple years like brittle versions of zines that break down over time. I wanted to design something that could last for the long haul with my own knowledge of best practices. And the goal was to make this a replicable pilot project that other DIY organizations could emulate if successful. For this reason I relied on HTML, CSS, and Javascript without running a full stack. This also simplified the design process and site architecture and will make it easier to debug or adapt for future iterations, and is easier for others to tinker with.

Just as we relied on open source software, our code is available and reusable, and the project includes walkthroughs and methodologies to enable replication by others.

Based on your experience, what advice do you have to share?

Integrate with a community you care about deeply. Look at a large number of case studies and examples of similar territory but be willing to trust your own ideas and forge your own paths. Use an iterative design process and make "cheap prototypes" you can throw away. Trust your instincts but be open to and inviting of ideas that are not your own. Consider the technology to be an extension of the activities and art activity of the community or organization you are working on behalf of, not the main course. Consider the longterm effects but also maintenance of your technology project in the years to come.

Do you plan to continue this project?

This pilot project is not yet complete until it is launched for the public in the latter half of 2021. It will also result in printed zines based on the created web app. Additionally, we will be looking for a library or archive that may wish to become caretaker of the experimental archive. From this pilot project learnings will be used so that we can continue to work on experimental archival projects with more DIY artist collectives going forward as part of a long term commitment to this field.


This case study was generously contributed by
Lee Tusman
Space 1026
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